Doris Kent knows if she took a political
stand in the debate over the war in
Iraq
, people might
tune out her true message:
Know
my son. Know what was lost.
"I'm
not going to tell people how to think," she said. "I'm going
to ask them the questions to make them think - to ask the
question, 'What kind of
America
do we want
to be?' "
Kent
's
eldest son, U.S. Army Cpl. Jonathan Santos, was killed in
Iraq
by a suicide
bomber Oct. 15, 2004, a little more than three weeks after his
22nd birthday. The
Sehome
High
School graduate lost his life in a war
Kent
fears is
slipping from the consciousness of the majority of Americans
who have the luxury of knowing no one on the
battlefield.
News
coverage of war fatalities doesn't often help people
understand, either, she said.
"It
breaks my heart that their names aren't important enough to
say anymore,"
Kent
said. She
knows there is a heartbroken family for every soldier who has
been killed or wounded.
"I
want people not only to remember Jonathan,"
Kent
said. "We as
Americans have a democratic process. We as a nation went to
war. We as a nation need to pay
attention."
Kent
hopes a short film showing Sunday in
Bellingham
will encourage
people to pay closer attention.
"The
Corporal's Boots," by
Seattle
filmmaker Patricia Boiko, is about a traveling exhibit called
"Eyes Wide Open" that displays one pair of boots for each
soldier killed in
Iraq
. The film
includes an interview with
Kent talking about her son, an
Arabic linguist with the 9th Psychological Operations
Battalion from
Fort
Bragg,
N.C. He had hoped the Army
would help pay for college.
Kent
hopes the short, emotionally powerful film will resonate with
everyone, no matter how they feel about the war
itself.
"I
just need both (sides) to see it,"
Kent
said, her
voice deepening with emotion. "I think when they see it, it
will speak to both their hearts."
The
"Eyes Wide Open" exhibit, sponsored by the American Friends
Service Committee, stopped in
Seattle
last April. Boiko
shows the display through the eyes of Jeannie Graves, the
mother of a former soldier, who strolled through the rows of
boots at the
Seattle
Center
, set up like the
ghosts of soldiers in formation.
When
Graves stepped outside for some air, she watched a woman and
two teenage boys stop at one of the pair of boots, kneel down
and delicately tie a bracelet and a cross into their
laces.
Graves
later told Boiko about seeing the woman, who turned out to be
Kent and her sons Justin and Jared.
"Her
story was so touching that people around me were just
sobbing," Boiko remembered. "I took my camera the next day and
went to the exhibit and found the exact boots she was talking
about."
Boiko
later tracked down
Kent
and asked if
she would like the footage of the boots. She then traveled to
Bellingham to interview
Santos
'
family.
As
the two women talked,
Kent revealed that
Santos bought a camera before leaving for
Iraq
, and took
hours of footage before he died. He also kept a journal of his
deployments to
Haiti and
Iraq
.
Kent
offered them
both to Boiko.
So
Boiko is working on a second project, one that will
incorporate
Santos
' words and images into
a short film of 15 minutes or so.
Boiko
has gotten to know
Santos
watching his footage
in her editing studio.
She
accompanied
Santos
to family
weddings.
She
watched him gaze at a friend's newborn
baby.
She
saw his view of the Iraqi desert.
She
lingered for the several minutes
Santos left the camera on while he made a
"grim reaper" character out of black electrician's tape to
hang in his truck in
Iraq
.
At
first, Boiko said, she couldn't work with
Santos
'
tapes for more than an hour or two at a
time.
"I
would cry and cry," she said. "He's a very bright young man
with a great sense of humor. He's so much like friends of my
son. He's a real boy."
Boiko
also glimpsed the man
Santos
was becoming in the
films he made and the words he left.
"He
was very much like me. He took footage of everything," she
said. "He really would have been a filmmaker and maybe a
writer."
A
part-time family physician and documentarian working on a
feature-length film about her own family, Boiko wasn't
planning on taking on a project about
Santos
.
But
Kent's
mission became her own - and not just because
Santos
was about the same age as Boiko's own
children.
"I
show rough cuts to people, and really, they have forgotten we
have a war going on there," said Boiko. "It does amaze me how
people have been able to put it out of their
minds."
"When
people actually can see somebody and personalize it and get to
know one person," Boiko said, "they will care and they will
remember."